Welcome to my music blog. Unless you already know me, you’re probably here because you’ve gotten my name at a jam or open mic somewhere in North Carolina. Thanks for your interest, and I hope you enjoyed whatever it was I was playing that night.
If you are interested in playing nylon string guitar, pick up the July 2016 issue of Acoustic Guitar magazine. The issue contains several articles that will be of particular interest to steel string players considering expanding their sonic palette, including tips for playing nylon, reviews of nylon string guitars, and a list of essential non-classical guitar albums.
If you’ve not been considering a nylon string guitar, listen to some of recommended albums. You might change your mind once you hear how versatile the instrument is.
It’s a common misconception that a classical guitar is useful only for classical music or flamenco music. I routinely mix genres when playing my classical guitar, recklessly hopping between classical, bossa nova, jazz, and rock. I can’t do that with the same subtlety of expression on a steel string guitar.
For a bit of inspiration, here’s Earl Klugh playing the jazz standard “Once Upon a Summertime” from the 1989 Solo Guitar album, one of recommendations from the Acoustic Guitar staff.
Recently I attended an excellent Jesse Cook concert in Charlotte, NC and noticed looping was occasionally being used even though Jesse had a full band. Jesse even explained to the audience what it was and how he was about to use it before one of his songs. I’ve also noticed an increasing use of loopers by local guitarists when they need accompaniment for a solo and no other chordal instrument is available.
Being a bit of a purist, I’ve resisted the urge to experiment, instead sorting out how do chord melodies, which works well for the kinds of songs I perform. But here we have Jesse, swaying me to the electronic side with this improvisation he posted. Enjoy.
Here’s another great episode from Jimmy Lloyd’s excellent Songwriter Showcase. Enjoy!
Watch two master musicians combine the sounds of harp and guitar into a singular, evocative instrument in this Tiny Desk Concert.
This video is via NPR. You can watch the video on the NPR site and download the audio here.
Here is a list of open mics in Raleigh and the surrounding area. Thanks to April Anders for creating the list.
Sunday 2:00 Open Jam Carrboro Johnny’s Gone Fishing
Sunday 7:30 Open Jam Durham Triangle Blues Society (First Sunday of every month)
Sunday 9:00 Open Mic Carrboro 2nd Wind
Sunday 9:00 Open Mic Burlington Brewballs
Sunday 9:30 Open Mic Durham James Joyce Irish Pub
Monday 9:00 Open Jam Raleigh O’Malley’s Pub
Monday 8:00 Open Mic Carrboro Southern Rail/The Station
Monday 9:00 Open Jam Durham The Tavern (Blues/Jazz Jam)
Tuesday 6:30 Open Mic Raleigh Saints & Scholar’s Irish Pub
Tuesday 7:30 Open Jam Durham The Blue Note Grill (Blues Jam)
Tuesday 8:00 Open Mic Raleigh Deep South
Tuesday 8:30 Open Jam Raleigh The Pickled Onion
Tuesday 8:00 Open Jam Cary Mac’s Tavern
Tuesday 9:00 Open Jam Cary Abbey Road Tavern & Grill (Full Back Line Available)
Wednesday 6:00 Open Mic Raleigh Compass Rose Brewery
Wednesday 6:30 Open Mic Pittsboro Flat Tire Lounge (Inside the Pittsboro Road House)
Wednesday 7:00 Open Mic Burlington Wicked Mojo
Wednesday 7:30 Open Mic Wakefield Wakefield Wine Cellar
Wednesday 7:45 Open Mic Wake Forest Gatehouse Tavern
Wednesday 8:00 Open Mic Raleigh Amazing Ring Tones Music (Coffee Lounge)
Wednesday 8:00 Open Mic Pittsboro The City Tap
Wednesday 8:00 Open Mic Raleigh Deep South (Acoustic Night)
Wednesday 8:00 Open Mic Raleigh Berkley Café
Wednesday 8:00 Open Mic Durham 58 Fifty Bistro & Martini Bar
Wednesday 8:30 Open Jam Raleigh Brewmaster’s Bar & Grill
Wednesday 9:00 Open Mic Durham Skewer’s Bar & Grill
Wednesday 9:00 Open Jam Apex Rock Harbor Grill
Thursday 7:00 Open Mic Pittsboro Modern Life
Thursday 7:00 Open Jam Durham Plan B (3rd Thursay of every month)
Thursday 8:00 Open Mic Cary Corner Tavern & Grill
Thursday 8:00 Open Jam High Point After Hours Tavern
Thursday 9:00 Open Jam Raleigh Korner Pocket Sports Bar & Grill
I recently discovered this video of a performance on an ancient guitar. Enjoy!
Mark your calendars for an evening with emerging American songwriters Josh Oliver & Josh Moore as they share the stage with some special guests from Mandolin Orange! East Tennessee’s Josh Oliver has contributed his subtle, tasteful playing in a humble manner in the studio or on the road with acts such as Mandolin Orange, The Everybodyfields, Jill Andrews, Sam Quinn, Martha Scanlan, The Deep Dark Woods, The Black Lillies, and several others. Oliver creates a dynamic sonic landscape that features acoustic guitar, banjo, mandolin, piano, “spacey” electric guitars, organ, and a sparsely played Rhodes. Josh Moore was the former vocalist and guitarist for the much-loved North Carolina band Beloved. Returning with a solo project, Josh Moore retains the passion and emotion of his former days but this time he is accompanied by a beautiful acoustic backdrop.
On Friday, January 16th at 9:00pm Oliver & Moore will perform at The ArtsCenter in Carrboro, NC. Tickets for this show are $10 Advance, $8 Friends Advance, and $12 Day of Show. For more information or to purchase tickets, visit http://www.artscenterlive.org/events/josh-oliver-josh-moore/ or call the Box Office at (919) 929-2787. The ArtsCenter is located at 300-G E. Main Street in Carrboro.
Solas is the quintessential Irish-American band recording and touring in the US today. Fifteen years ago, in a manner befitting their name (Gaelic for “light”), Solas burst onto the Irish music scene and instantly became a beacon – an incandescent ensemble that found contemporary relevance in timeless traditions without ever stooping to clichés. Through fresh and unexpected arrangements of age-old tunes, compelling and topical originals and covers, and unparalleled musicianship, Solas continues to define the path for the Celtic music world and drive the genre forward. Paul Keating of Irish Central said “There is something very magical and harmonious about the way this band works nowadays that only enhances the thoughtful and sophisticated melodies and rhythms their music provides for their audience”.
You can enjoy an evening of fantastic music with this unique group on Saturday, February 28th at 8:00pm at The ArtsCenter in Carrboro,NC. Tickets for this show are $22 Advance, $18 Student/Friends Advance, and $26 Day of Show.
For more information or to purchase tickets, visit http://www.artscenterlive.org/events/solas/ or call the Box Office at (919) 929-2787. The ArtsCenter is located at 300-G E. Main Street in Carrboro.
More on Solas:
Solas is anchored by founding members Seamus Egan (flute, tenor banjo, mandolin, whistles, guitars, bodhran) and Winifred Horan (violins, vocals), Solas is rounded out by Mick McAuley (accordians, low whistle, concertina, vocals), Eamon McElholm (guitars, keyboards, vocals), and newest member and lead singer, Niamh Varian-Barry.
I’ve been a reader since the magazine started and a subscriber for many years. The arrival of the 25th anniversary issue sent me on a quest to find old issues of the magazine. What was the earliest issue I still had?
I was able to quickly find the 10th and 15th anniversary issues shown here with my Alvarez-Yairi classical. But it seems anything earlier than 2000 was lost along the way, likely the victim of some over-zealous spring cleaning one year.
Acoustic Guitar has survived the rise of digital media, thoughtfully augmenting their print magazine with an extensive online presence. For the acoustic guitarist, Acoustic Guitar remains the only magazine you’ll ever need. In what other magazine will you find arrangements of a Big Bill Broonzy song and a Radiohead song in the same issue?
Read more about their anniversary in their online article Acoustic Guitar Turns 25. And do subscribe if you haven’t already – I’m hoping Acoustic Guitar will be around for another 25 years.